Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (The Nathan I. Huggins Lectures)

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Description

In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of up to date jazz. These four were among hundreds of musicians within the 1950s and ’60s who forged connections between jazz and Africa that definitively reshaped both their music and the world.

Each and every artist identified in particular ways with Africa’s struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music used to be the wild, boundary-breaking exultation of up to date jazz. The end result used to be an abundance of conversation, collaboration, and tension between African and African American musicians all through the era of decolonization. This collective biography demonstrates how up to date Africa reshaped jazz, how up to date jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents.

In a a very powerful moment when freedom electrified the African diaspora, these black artists sought one every other out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but reasonably as indigenous, multilingual, and messy, the results of innumerable exchanges across a breadth of cultures.

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