Art Nouveau: An Anthology of Design and Illustration from “The Studio” (Dover Pictorial Archive)

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Description

In its early years, The Studio (published monthly in London from April 1893 until well into the twentieth century) used to be one of the crucial major media for the development of Art Nouveau styles. It used to be probably more responsible than any other publication for the acceptance of Art Nouveau by the public, and as it progressed it remained the most outstanding vehicle of Art Nouveau illustration. It also had a tremendous influence on American artists and illustrators of the period. Along with art competitions, featured articles on up to date artists and on topics like photography, and portfolios of the work of new and unknown artists, it presented over a period of years a superb and comprehensive survey of Art Nouveau illustration by virtually each and every British and Continental artist of the period.
The selection in this volume includes both the most productive and the most common in Art Nouveau. The 199 illustrations are mostly graphic arts material: book covers, posters and advertisements, title pages and end pages, bookplates, menus, Christmas cards, decorative alphabets, engraved and decorated poems, and quite a few designs and patterns. The artists include Walter Crane, Aubrey Beardsley, Will Bradley, A. A. Turbayne, Enid Jackson, R. Anning Bell, R. M. Bradley, Jessie King, Mabel Syrett, J. D. Batten, and many others. Even if the book is intended primarily to be a file for commercial artists and designers, it serves the less specialized reader admirably as a survey of the quite a lot of graphic styles of Art Nouveau.
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