Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (International Texts in Critical Media Aesthetics)

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Description

Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the idea that of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, whilst also the use of it to explore quite a lot of theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the idea that of medium as such.

Grounding its study in interdisciplinary framework of film studies, media studies, and recent art criticism, Between Film, Video, and the Digital offers a fresh insight at the post-media conditions of film and video under the pervasive influences of digital technologies, in addition to at the a very powerful roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of up to date works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies concurrently depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.

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