Colonial Phantoms: Belonging and Refusal in the Dominican Americas, from the 19th Century to the Present (Nation of Nations)

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Description

Highlights the histories and cultural expressions of the Dominican people 

Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic for the reason that nineteenth century in spite of its central place Within the architecture of the Americas. Through a lot of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance. 

Dixa Ramírez places the Dominican people and Dominican expressive culture and history at the leading edge of an insightful investigation of colonial modernity around the Americas and the African diaspora. Within the process, she untangles the types of free black subjectivity that developed at the island. From the nineteenth century national Dominican poet Salomé Ureña to the diasporic writings of Julia Alvarez, Chiqui Vicioso, and Junot Díaz, Ramírez considers the roles that migration, knowledge production, and international divisions of labor have played Within the changing cultural expression of Dominican identity. In doing so, Colonial Phantoms demonstrates how the centrality of gender, race, and class Within the nationalisms and imperialisms of the West have profoundly impacted the lives of Dominicans. In the long run, Ramírez considers how the Dominican people negotiate being left out of Western imaginaries and the new modes of resistance they’ve carefully crafted in response.

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