Del escenario a la pantalla: La adaptación cinematográfica del teatro español (North Carolina Studies in the Romance Languages and Literatures, No 26)

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Description

This book, written in Spanish, explores an understudied aspect of Hispanic culture: the connection between dramatic texts and their cinematic adaptations. It examines the transposition of form and ideology in cinematic versions of twentieth-century Spanish plays by Carlos Arniches, Ramon del Valle Inclan, Federico Garcia Lorca, Victor Ruiz Iriarte, Antonio Buero Vallejo, Fernando Fernan Gomez, and Jose Sanchis Sinisterra.

The matters addressed include a historic overview of the connection between cinema and theater in Spain, a comparative observe of the rules governing these two media, using self-reflexivity and metatextual strategies, and the transposition of ideology all the way through crucial periods of brand new Spanish history, in addition to the development of the feminine subject, the connection between power structures and gender difference, and the representation of woman as a spectacle/commodity in selected film adaptations of Spanish plays.

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