Description
The national bestseller from the renowned artist and writer Patti Smith, exploring the nature of creative invention
A work of creative brilliance may look like magic—its source a mystery, its affect rapidly stirring. How does an artist accomplish such an achievement, connecting deeply with an audience never met? On this groundbreaking book, one in all our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections.
Patti Smith first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We shuttle through the South of France to Camus’s house, and discuss with the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft On this arresting and original book on writing.
The Why I Write series is according to the Windham-Campbell Lectures, delivered yearly to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.
A work of creative brilliance may look like magic—its source a mystery, its affect rapidly stirring. How does an artist accomplish such an achievement, connecting deeply with an audience never met? On this groundbreaking book, one in all our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections.
Patti Smith first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We shuttle through the South of France to Camus’s house, and discuss with the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft On this arresting and original book on writing.
The Why I Write series is according to the Windham-Campbell Lectures, delivered yearly to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.
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