Description
“If ever somebody used to be born to be a photographer, Helen Levitt used to be. Taking a look at these pictures triggers that tingling feeling you get from photographs by artists like Lartigue, Kertész, and Cartier-Bresson: a feeling that the camera is less an expertly operated tool than the seamless extension of a mind and body that are preternaturally alert to the world.”
—The New York Times
“Levitt’s photographs, like her city, though on occasion they rise to beauty, are mostly too quick for it. Instead, they have got the quality of frozen street-corner conversation: she went out, saw something wonderful, came home to tell you all about it, and then, frustrated, said, ‘You needed to be there,’ and you realize, Taking a look at the picture, that you were.”
—Adam Gopnik, The New Yorker
Helen Levitt, the visual poet laureate of New York City, published her magnum opus Crosstown in 2001 to great acclaim. The book immediately sold out, never to be reprinted, making it a classic volume of street photography for the cognoscenti. Levitt went on to writer two smaller volumes, Here and There and Slide Show, her first monograph exclusively featuring her little-known color work, which have garnered her accolades from world wide. Most recently, she used to be named the 2008 recipient of the SPECTRUM International Prize for Photography of the Foundation of Lower Saxony, an honor up to now bestowed on such luminaries as Robert Adams and Sophie Calle. Her final book: Helen Levitt, used to be released along with a retrospective exhibition at Germany’s Sprengel Museum Hannover, the exhibit included her most iconic works, intermixed with never-before-seen color work. Combining seven decades of New York City street life with her seminal work in Mexico City, Helen Levitt’s self-titled compilation features the master works of an incomparable career.