Persepolis 2: The Story of a Return (Pantheon Graphic Library)

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Description

In Persepolis, heralded by the Los Angeles Times as “one of the most up to date and most original memoirs of our day,” Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran all the way through the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her family and friends, and at the same time as she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.

Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. Alternatively, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.

As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up—here compounded by Marjane’s status as an outsider both in a foreign country and at home—it is raw, honest, and incredibly illuminating.

Picking up the thread where her debut memoir-in-comics concluded, Persepolis 2: The Story of a Return details Marjane Satrapi’s experiences as a young Iranian woman cast in a foreign country by political turmoil in her native country. Older, if not exactly wiser, Marjane reconciles her upbringing in war-shattered Tehran with new surroundings and friends in Austria. Whether living in the company of nuns or as the sole female in a house of eight gay men, she creates a niche for herself with friends and acquaintances who feel equally uneasy with their place on the planet.

After a series of unfortunate choices and events leave her literally living in the street for three months, Marjane decides to return to her native Iran. Here, she is reunited with her family, whose liberalism and emphasis on Marjane’s personal worth exert as strong an influence as the eye-popping wonders of Europe. Having grown accustomed to recreational drugs, partying, and dating, Marjane now dons a veil and adjusts to a society officially divided by gender and guided by fundamentalism. Emboldened by the example of her feisty grandmother, she tests the bounds of the morality enforced on the streets and in the classrooms. With a new appreciation for the political and spiritual struggles of her fellow Iranians, she comes to needless to say “one person leaving her house at the same time as asking herself, ‘is my veil in place?’ no longer asks herself ‘where is my freedom of speech?'”

Satrapi’s starkly monochromatic drawing style and the keenly observed facial expressions of her characters provide the ideal graphic environment from which to appeal to our sympathies. Bereft of fine detail, this graphic novel guides the reader’s attention instead toward a narrative rich with empathy. Don’t be fooled by the glowering self-portrait of the writer on the back flap; it’s nearly inconceivable to read Persepolis 2 without feeling warmth toward Marjane Satrapi. –Ryan Boudinot

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