The Aphrodite of Knidos and Her Successors: A Historical Review of the Female Nude in Greek Art

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Description

Christine Mitchell Havelock’s book takes a much- needed new take a look at one of the most famous icons of Western art: the nude statues that the Greeks produced to represent Aphrodite. The Aphrodite of Knidos, by master sculptor Praxiteles, is the leading example of this form. Other statues include the Capitoline and Medici Venuses, the Crouching Aphrodite and the Aphrodite of Melos–all of them indebted to Praxiteles.
The creator analyzes the meaning of the pose of the Aphrodite of Knidos, the significance of her nudity, and her architectural setting. A survey of the statue’s reception and interpretation in Greek, Roman, and brand new times offers an entirely new point of view in this major murals.
Among topics examined are Praxiteles’ reported use of his mistress Phryne as his model, the “pudica gesture,” and the importance of small-scale versions of statues for dating the larger sculptures. The creator also considers the function and spiritual significance of the small statues, and she includes the cultural context offered by the erotic poetry of Propertius and Ovid, two Roman poets who were fascinated by the robing and disrobing of their mistresses.
The Aphrodite of Knidos is a highly readable, broad-based volume of interest to any individual acquainted with classical art and the ancient world.
Christine Mitchell Havelock is Professor Emerita of Art History and Curator of the Classical Art Collection at Vassar College. She has written and lectured widely on Greek art.

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