To Do This, You Must Know How: Music Pedagogy in the Black Gospel Quartet Tradition (American Made Music Series)

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To Do This, You Will have to Know How traces black vocal music instruction and inspiration from the halls of Fisk University to the mining camps of Birmingham and Bessemer, Alabama, and on to Chicago and New Orleans. Within the 1870s, the Original Fisk University Jubilee Singers successfully combined Negro spirituals with formal choral music disciplines, and established a permanent bond between spiritual making a song and music education. Early Within the twentieth century there have been countless initiatives in enhance of black vocal music training conducted on both national and local levels. The surge in black religious quartet making a song that occurred Within the 1920s owed much to this vocal music education movement.

In Bessemer, Alabama, the effect of school music instruction was once magnified by the emergence of community-based quartet trainers who translated the spirit and substance of the music education movement for the inhabitants of working-class neighborhoods. These trainers adapted standard musical precepts, traditional folk practices, and popular music conventions to create something new and vital

Bessemer’s musical values immediately influenced the early development of gospel quartet making a song in Chicago and New Orleans during the authority of emigrant trainers whose efforts bear witness to the effectiveness of “trickle down” black music education. A cappella gospel quartets remained prominent well into the 1950s, but by the top of the century the close harmony aesthetic had fallen out of form, and the community-based trainers who were its champions had virtually disappeared, foreshadowing the top of this remarkable musical tradition.

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