Tom Bianchi: Fire Island Pines, Polaroids 1975-1983

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Description

Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one such magazine, he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island sounded exotic, in all probability a name made up by the photographer,” he recalls in the preface to his recent monograph. “I had no idea it used to be a real place. No doubt, I had no idea then that it used to be a place I would someday call home.” In 1970, fresh out of law school, Bianchi started traveling to New York, and used to be invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. The usage of an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a magical bygone era.
Tom Bianchi used to be born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, sooner or later working with Columbia Pictures in New York, painting and drawing on weekends. His artwork came to the attention of Betty Parsons and Carol Dreyfuss and they gave him his first one-man painting show in 1980. In 1984, he used to be given his first solo museum exhibition at the Spoleto Festival. After Bianchi’s partner died of AIDS in 1988, he turned his focal point to photography, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led to producing a large number of monographs, including On the Couch, Deep Sex and In Defense of Beauty.

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