A Shot in the Dark: Making Records in Nashville, 1945-1955

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Description

With a “Soundtrack” CD!

Before Elvis hit town, back before country music used to be synonymous with Nashville, a small group of intrepid entrepreneurs–local businessmen taking a look to make a buck and have some fun–were recording and selling all of the local music they could find. From dance bands to gospel, from rhythm & blues to, yes, country music, these men inadvertently documented a wealth of local music as they struggled to run successful recording studios.

Hawkins goes beyond the music to tell the stories of the in the back of-the-scenes folks responsible for turning Nashville into Music City U.S.A. From Jim Bulleit, who used to be there at the very beginnings of the music industry, to Bill Beasley, who took on the emerging Music Row ‘establishment’ and lost, Hawkins guides us through the careers of the folks who defined Nashville’s music scene for an exciting, unpredictable decade and traces the upward thrust and fall of local music labels like Bullet, World, Tennessee, Republic and Speed.

Though the point of interest of the book is on the recording companies, studios, DJs and other music promoters, it also underlines the importance of probably the most giants of Nashville music–like Francis Craig, who recorded an international hit unintentionally, Owen Bradley, who had a hand in many early labels, Del Wood, the surprise star of honky tonk piano, the fabulous blues singer Christine Kittrell, the underrated R&B bandleader Louis Brooks, the ubiquitous gospel promoter, Wally Fowler, the long-established Fairfield Four, and the king of the rude country song, Randy Hughes.

This book builds off of and develops more fully the research Hawkins did for the critically acclaimed Bear Family Records box collections of Nashville recordings all through this same time. Full of lush photographs, many being published here for the first time, and accompanied by a twenty-song CD highlighting the wide variety of music being made in Nashville at the time, the book immerses readers in the sights, sounds, and stories of this vibrant and influential decade in Nashville music making.

Co-published with the Country Music Foundation Press

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